Oil

BOOM: Oil, Money, Cowboys, Strippers, and the Energy Rush That Could Change America Forever

“BOOM: Oil, Money, Cowboys, Strippers, and the Energy Rush That Could Change America Forever” is a Kindle Single written by Tony Horwitz, detailing his investigative reporting of as many aspects of the contemporary domestic oil situation as he can fit into 117 pages and 4000 miles (Canada tar sands to Gulf Coast refineries and all the pipeline drama in between). This project was written before the Dakota Access Pipeline drama, which was unfolding as I read it -a confluence that I’d love to recommend, were it possible.

As might be expected, “BOOM” reads like good old-fashioned investigative journalism -while Horwitz himself is inserted into the narrative, this is more Gonzo-Lite than some of the more contemporary forms of creative nonfiction, the kind of pieces that perform more as a personal essay viewed in an external framework. Neither of these forms is necessarily superior, but Horwitz has certainly chosen the correct one for his purpose, with mainly concerns exposition. You will learn shit about how Northern America does fossil fuels here. You will come into contact with good people who participate directly in potentially damaging practices, and you will have some sympathy for them. This is something that Horowitz does really well.

All in all, I think that E-readers and E-reading apps offer, if not a better media form, then an additional and valuable one. I can’t think of many magazine publications of 100+ word narrative nonfiction/reporting -the closest thing that comes to mind are the essays of David Foster Wallace, but that seems to be the exception that proves the rule. I don’t want to read a weighty-ass tome on this shit -as much as I perhaps ought to- and a fifteen-page distillation is going to leave a lot of worthwhile shit on the cutting room floor. I was reminded of the value of Jon Ronson’s The Elephant in the Room. These kinds of things are time-sensitive and valuable, and digital publication of much longer longform work that simply isn’t book material is something I intend to keep paying close attention to.

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